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AUSTIN,  ROBERT  E. 

25  Six  Easy  Piano  Pieces  (Grades  I  and  tt) $  .75 

Edited  by  W.  S.  B.  Mathews. 

BERTTNI,  HENRI 

Complete  and  Progressive  Method  for  the  Piano. 
Edited  by  H.  Clough-Leighter. 

36  Complete  in  one  volume 2.00 

37  Part      I LOO 

38  Part    II , . .  1.00 

39  Part  III LOO 

64    Scales  and  Arpeggios .60 

Edited  by  H.  Clough-Leighter. 
89    Twenty-five  Easy  Studies  without  Octaves.     Op.  100.     .40 
Edited  by  Thomas  Tapper. 

BEYER,  FERDINAND 

66  Preliminary    School   for  the   Piano    (Vorschule   im 

Klavierspiel).     Op.  101.     Bound  in  Boards 1.25 

Bound  in  Paper 76 

Edited  by  H.  Clough-Leighter. 

CZERNY,  CARL 

47  Practical  Method  for  Beginners  on  the  Piano.  Op.  699.  .  60 

Edited  by  R.  de  Roode. 

48  One  Hundred  Progressive  Studies  without  Octaves. 

Op.  139 .60 

Edited  by  Clemens  Schultze,  with  Introduction 

by  Heinrich  Kiehl. 
63    Thirty' New  Studies  in  Mechanism.     Op.  849.  .60 

Introductory  to  "  Studies  in  Velocity."    Op.  299. 
Edited  by  H.  Clough-Leighter. 

ENGELMANN,  H. 

26  Six  Easy  Dances.     Op.  552.     (Grade  II) .76 

Edited  by  W.  S.  B.  Mathews. 

ESIPOFF,  STEPAN 

27  Six  Pieces  for  the  Piano.     (Grade  TT) .75 

Edited  by  W.  S.  B.  Mathews. 

EVARTS,  RALPH 

28  Six  Piano  Pieces  for  Little  Hands.    (Grades  II  and 

II-III) J6 

Edited  by  W.  S.  B.  Mathews. 

FRADEL,  CHARLES 

67  Six  Studies  in  Phrasing.    Op.  509 LOO 

Edited  by  Hans  Lichter. 

GURLITT,  CORNELIUS 

First  Steps  of  the  Young  Pianist.    Op.  82.    One  Hun- 
dred very  easy  Practice  Pieces  for  Beginners. 
Edited  by  Thomas  Tapper. 

68  Book   I.     Sixty-three  Practice  Pieces .75 

69  Book  II.    Thirty-seven  Practice  Pieces .76 

KOHLER,  LOUIS 

76    Very  First  Studies.    Op.  190 JSO 

Edited  by  Hans  Lichter. 

LOESCHHORN,  CARL  ALBERT 

Progressive  Piano  Studies  for  Beginners.   Op.  65. 
Edited  by  Thomas  Tapper. 

5  Book     I.     Sixteen  StudiPs 50 

6  Book   II.     Sixteen  Studies 50 

7  Book  III.    Sixteen  Studies .50 

Order  by  number. 


LOESCHHORN,  CARL  ALBERT— Continued. 

Progressive  Piano  Studies  for  Medium  Grades.     Op.  66. 
Edited  by  Thomas  Tapper. 

30  Book     I.    Eleven  Studies $.60 

31  Book   II.    Eleven  Studies 50 

32  Book  III.    Eleven  Studies 60 

Progressive  Piano  Studies  for  Advanced  Grades.    Op.  67. 

Edited  by  Thomas  Tapper. 

33  Book     I.     Six  Studies 60 

34  Book   II.     Six  Studies .60 

36    Book  III.     Six  Studies .60 

ORTH,  L.  E. 

79    On  the  White  Keys.     Op.  18 LOO 

An  Introduction  to  the  Piano. 

REDTECKE,  CARL 

Studies    in    Expression    (Vortragsstucke).    Twenty 
Short  Piano  Pieces.     Op.  268. 
Introduction  by  Thomas  Tapper. 

8  Book   I.     Eleven  Piano  Pieces  (Grades  II  and  II- 

III) 1.00 

9  Book  II.     Nine  Piano  Pieces  (Grade  III) LOO 

SCHUMANN,  ROBERT 

(Album  for  the  Young  (Album  f  Or  die  Jugend) .  Op.  68; 
and .60 
Scenes  of  Childhood  (Kinderscenen).    Op.  15 

Edited  by  Alfred  Dorffel  and  Richard  Schmidt. 
With  the  Composer's  "Rules  for  Young  Mu- 
sicians," and  Preface  by  Henry  W.  Hart. 

WAGNER,  E.  D. 

First  Piano  Book.    Op.  45. 
Edited  by  Thomas  Tapper. 

84  Book   I LOO 

85  BookH LOO 


VIOLIN  SOLO 

DANCLA,  CHARLES 

61  Fifty  Dailv  Exercises  for  the  Violin.    Op.  74 JO 

Edited  by  Benjamin  Cutter. 

62  Six  Airs  with  Variations  (Six  Petits  Airs  Varies). 

Op.  89 LOO 

Edited  bj  Benjamin  Cutter. 

HERMANN,  FRIEDRICH 

Violin  School.     (Violin-Schule.) 

65  Book   I .76 

66  Book  II 75 

Edited  by  Benjamin  Cutter. 

HOHM\NN,  CHRISTIAN  HEINRICH 

Practical  Violin  School  (Praktische  Violin-Schule). 
Edited  by  Benjamin  Cutter. 

70  Complete 1.50 

71  Book     I.    The  Open  Strings JO 

72  Book    II.     Exercises  in  the  Keys  most  Used JO 

73  Book  III.    Advanced  Exercises  in  Keys  most  Used..     .50 

74  Book  IV.     On  the  Various  Shifts  or  Positions #.     .60 

75  Book    V.    Advanced  Exercises  in  the  Higher  Posi- 

tions      JO 

E^YSER,  HEINRICH  ERNST 

Thirty-six  Elementary  and  Progressive  Studies  for  the 
Violin.    Op.  20. 
Edited  by  Benjamin  Cutter.  . 

21  Complete  in  one  volume 1.25 

22  Book     I.    Twelve  Stvidies 60 

23  Book   II.    Twelve  Studies 60 

24  Book  III.    Twelve  Studies JO 

Copies  sent  for  examination. 


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Carl  Albert  Loeschhorn 

PROGRESSIVE  PIANO 
STUDIES 

FOR  MEDIUM  GRADES 
Op.  66,  Book  I 


EDITED  BY 

THOMAS  TAPPER 


BOSTON 

OLIVER  DITSON  COMPANY 


New  York 


Chicago 


C.  H.  DITSON  &•  CO.        LYON  6-  HEALY 


Philadelphia 

J.  E.  DITSON  £r  CO. 


COPYRIGHT,    MCMV,    BY   OLIVER   DITSON   COMPANY 


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INTRODUCTION 


In  point  of  technique  and  interpretation  the  Etudes,  Opus 
66,  by  Carl  Albert  Loeschhorn,  are  considerably  in  ad- 
vance of  the  Etudes,  Opus  65.  They  are  invariably  twice 
as  long,  and  appeal,  in  general,  to  a  more  advanced 
musicianship.  In  them  the  composer  evinces  the  same 
essentially  true  musical  characteristics  to  which  the  editor 
of  this  volume  called  attention  in  the  biographical  and 
critical  preface  to  the  Etudes,  Opus  65. 

Assuming  the  teacher  grades  her  work  on  the  general 
plan  of  seven,  these  Etudes  will  be  found  to  extend  from 
the  third  into  the  fourth  grade.  Many  new  features  are 
introduced  beyond  what  occur  in  Opus  65,  and  many 
problems  initiated  in  that  work  are  further  developed 
here,  as  the  teacher-student  will  discover  by  comparing 
the  analytical  titles  in  the  introduction  to  Opus  65  with 
the  following, 

The  first  table  given  below  is  a  contents  of  Opus  66. 
The  descriptive  line  following  each  study  refers  to  its  lead- 
ing characteristic.  Other  problems  than  the  one  stated 
arise  and  are  more  or  less  developed  in  many  of  these 
Etudes. 

No.    Metre  General  Characteristic 

4-4     5  finger  position. 

4-4     5  finger  position,  with  scales  and  chords. 

3-4     5  finger  position,  with  scales  and  chords. 

4-4     Scales. 

4-4     Scales. 

4-4     Scales. 

4-4     Scales. 

4-4     L.  H.  Melody  over  a  broken  chord. 

3-4     Triplet. 

6-8     Melody,  with  broken  chord  accompaniment. 

3-4     Progressive  broken  chords. 

6-8  Short  and  progressive  sequential  figures  for  both 
hands. 

4-4  Melody  in  octaves.  Broken  chord  accompani- 
ment. 

4-4     Repeated  Note. 

3-4     Short  Arpeggio  (triad  groups). 


16.     4-4     Sustained  Tones  and  Accompaniment,  thus: 


1 
2 

3 
4 

5 
6 

7 

8 

9 

10 
n 
12 

13 

14 
15 


17 


4-4 
6-8 
2-4 
3-4 


4-4 

4-4 
4-4 

3-4 


6-8     Passages  and  Sequential  Figures  on  the  basis  of 

the  scale  in  Thirds. 
4-4     5     Finger    Passages    Developed    and    Freely 
Extended. 
Arpeggio. 
Broken  Octaves. 
Broken  Octaves. 

Staccato  Etude  based  chiefly  on  scale  groups. 
3-4     Short  compact  groups. 

4-4     Scale  Passages  in  Tenths  and  also  with  Chord 
Accompaniment. 
Chromatic  Scale  Etude. 
Trill  (tremolo). 
Broken  Chord   and   Arpeggio   Passages   divided 

between  the  hands. 
Staccato  Study  for  the  Wrist. 
6-8     Sequential    Groups    (in    broken    intervals    third 

to  sixth). 
3-4     Double  Thirds  and  Sixths. 
4-4     The  Trill. 

3-4     Octaves  and  Chords  (both  hands). 
9-8     Forms    of    accompaniment    in    both    right    and 
left  hand. 
The  keys  employed  are  as  follows.     The  figure  under 
each  key  letter  is  the  number  of   Etudes  in  the  key. 

C  F  G  D  A  a  f  E\>  Db  E  b   g  ab   13  Keys  j  \  "J** 

mln.  min.  min.  min.  (  4  minor 

9343221      3      1       112     1  =  33  Etudes 

The  following  table  groups  the  studies  according  to  the 
leading  characteristic  given  above :  — ■ 
The  5   finger  position  and 

short  groups  developed  in     Nos.  i,  2,  3,  12,  17,  18,  23 

sequence. 
Scale  Passages  in  Various  Forms.     Nos.  4,  5,  6,  7,  24,  25 

(chromatic  scale) 


18 

19 
20 

21 

22 

23 
24 

25 
26 


28 
29 

3° 
3i 
32 
33 


Left  Hand  Melody  Prevail- 
ing No.  8 

The  Triplet  No.  9 

Graces     (Embellishments), 

more    or    less    prevailing  Nos.  9,  10,  15,  31,  33 
throughout 

Accompanied    Melody    (R. 

H.)  Nos.  10,  13,  16,  33 

Octaves  Nos.  13,  32 

Broken    Chords,    Octaves,  Nos.  n,  15,  19,  20,  21,  27,  29 
and  Arpeggios 

Repeated  Note  No.  14 

Staccato  Nos.  22,  28 

Trill  Nos.  26,  31 

Double  Third  and  Sixth  No.  30 

Grouped  by  Keys  the  following  are  in  major:  — 

C      Nos.    1,  3,  5,  n,  12,  14,  23,  26,  28. 


F 

2,  IO,  13. 

G 

4,  9,  i7>3!- 

D 

6,  24,  25. 

A 

7,  29. 

Eb 

19,  27,32. 

Db 

20. 

E 

21. 

At> 

33- 

The  fo 

llowing  are  in  minor:  — 

a 

Nos 

•  8,30. 

f 

M 

18. 

b 

u 

22. 

g 

u 

15,  16. 

The  following  brief  biographical  note  from  the  editor's 
introduction  to  Opus  65  is  added  for  ready  reference:  — 

Carl  Albert  Loeschhorn  was  born  in  Berlin  on  the  27  th 
of  June,  18 19.  At  the  age  of  five  he  began  his  music 
studies  with  his  father,  and  three  years  later  he  appeared 
for  the  first  time  in  public  as  a  pianist.  From  this  time 
until  he  was  eighteen  years  old  his  general  education  went 
hand  in  hand  with  his  music  training. 

In  1837  Loeschhorn  studied  with  Ludwig  Berger,  re- 
maining with  him  until  the  latter's  death  in  1839.  He 
then  entered  the  Royal  Institute  for  Church  Music  in  Ber- 
lin, studying  harmony  and  composition  with  Eduard  Grell 
and  A.  W.  Bach,  and  piano  playing  with  Rudolph  Kil- 
litschgy,  a  talented  pupil  of  his  former  master  Berger. 
Killitschgy  died  in  1850,  and  in  the  following  year  Loesch- 
horn succeeded  to  his  position  in  the  Institute.  In  1858 
he  became  a  full  titled  professor. 

Teaching  was  by  no  means  Loeschhorn 's  only  activity. 
In  1847,  in  conjunction  with  Adolph  and  Julius  Stahl- 
knecht,  he  established  in  Berlin  a  series  of  trio  concerts  for 
piano,  violin,  and  violoncello.  Their  success  was  great 
in  this  enterprise  and  equally  so  in  a  Russian  tour  under- 
taken in  1853.  In  1862  Loeschhorn  collaborated  with 
J.  Weiss  in  the  publication  of  a  Guide  to  Pianoforte  Lit- 
erature. In  1885  a  revised  version  was  published  by 
Loeschhorn  alone,  under  the  title  Fiihrer  durch  die 
Klavierliteratur. 

He  has  composed  many  works  for  the  piano,  most  of 
which  are  pedagogical,  and  he  has  also  written  vocal  pieces 
and  a  number  of  quartets  for  piano  and  strings.  Loesch- 
horn was  among  the  founders  of  the  German  Association 
of  Organists  and  of  the  Association  of  Piano  Teachers. 
In  1899  his  eightieth  birthday  was  celebrated,  and  he 
took  an  active  part  in  the  festivities.  He  died  in  Berlin, 
June  4,  1905. 


March  14,  1905. 


2 


PROGRESSIVE   PIANO   STUDIES 

'FOR  MEDIUM  GRADES] 


Edited  by  THOMAS  TAPPER 


A.  LOESCHHORN,  Op.  HH.  BOOK 


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VIOLIN  SOLO  — Continued 

XELLEY,  JOHN  CRAIG 

29    First  Lesson*  on  the  Violin $1.00 

With  Fourteen  Illustrations. 

KREUTZER,  RODOLPHE 

78    Forty-two  Studies  for  the  VioHn 60 

Edited  by  Benjamin  Cuttejr. 

MAZAS,  JACQUES  FERREOL 

20    Short  Method  for  the  Violin  (Kurze  Methode  f  (lr  die 

Violine) 75 

Revised  and  augmented  by  Benjamin  Cutter. 

STTT,  HANS 

Studies  for  the  Violin.    Op.  32. 
Edited  by  Eugene  Gruenberg. 

10  Book     I.     Twenty  Studies  in  the  First  Position 76 

11  Book   II.    Twenty  Studies  in  the  Second,  Fourth, 

and  Fifth  Positions 76 

12  Book  III.    Twenty  Studies  in  Shifting 75 

VENZL,  JOSEF 

Universal  Studies  for  the  Violin.     Op.  88. 
Edited  by  Eugene  Gruenberg. 
19    Thirty-six   Exercises  in  All  Varieties  of  Stopping 

and  Bowing 1.00 

WICHTL,  GEORG 

91  The  Young  Violinist.     Op.  10.     Books  I  and  II 1,00 

Edited  by  John  Craig  Kelley. 

92  Book    I.     Fifty-two  Exercises 76 

93  Book  II.    Forty-eight  Exercises. 75 

WOHLFAHRT,  FRANZ 

Sixty  Studies  for  the  Violin.     Op.  45. 
Edited  by  Eugene  Gruenberg. 

13  Book    I.    Thirty  Studies  in  the  First  Position 76 

14  Book  II.    Thirty  Studies  in  the  Third  Position .76 

Forty  Elementary  Exercises  for  the  Violin.     Op.  54. 
Edited  by  Eugene  Gruenberg. 

15  Book    I.    Twenty  Exercises  in  the  First  Position. .     .50 

16  Book  II.    Twenty  Exercises  in  the  First  Position. . .     .60 


WOHLFAHRT,  FRANZ  —Continued. 

Fifty  Easy  Melodious  Studies  for  the  Violin.     Op.  74. 

Edited  by  Eugene  Gruenberg. 
Book   I.    Twenty-five  Studies  in  the  First  Position.$ 
Book  II.     Twentv-five  Studies  in  the  Third  Position. 


17 
18 
46 


.75 

.76 


Easy  Method  for  Beginners  in  Violin  Playing.  Op.  38.  1.00 
Edited  by  Benjamin  Cutter. 


VIOLIN  AND  PIANO 

GRADED  PIECES  FOR  VIOLIN  AND  PIANO, 

Edited  by  John  Craig  Kelley. 

40  Book     I.     Fifty  Easy  Melodies  in  the  First  Position  1.00 

41  Book   II.    Thirty  Pieces  in  the  First  Position 1.00 

42  Book  III.     Thirty  Pieces  in  the  First  Three  Posi- 

tions    1.00 

43  Book  IV.    Twenty  Pieces  in  the  First  Five  Positions.  1.00 


TWO  VIOLINS 

PLEYEL,  IGNATZ  JOSEPH 

1  Six  Little  Duets  for  Two  Violins.     Op.  8 .50 

Edited  by  Benjamin  Cutter. 

3  Six  Sonatinas  for  Two  Violins.     Op.  48 50 

Edited  by  Benjamin  Cutter. 

TWO  VIOLINS  AND  PIANO 

PLEYEL,  IGNATZ  JOSEPH 

2  Six  Little  Duets  for  Two  Violins  and  Piano.    Op.  8.     .75 

Edited  by  Benjamin  Cutter. 

4  Six  Sonatinas  for  Two  Violins  and  Piano.    Op.  48..    .75 

Edited  by  Benjamin  Cutter. 


SONGS 

von  FIELITZ,  ALEXANDER 

44  Eliland  (Ein  Sang  vom  Chiemsee).    A  cycle  of  Ten 

Songs.     English  and  German  text.    Edition  for 

High  Voice. . .   .75 

Edited  by  Louis  C.  Elson. 

45  The  same  for  Medium  Voice 75 


Order  by  number. 


Copies  sent  for  examination. 


V 


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