HAROLD B. LEE LIBRARY
BRIGHA&i KG UNIVERSITY
PROVO, UTAH
Digitized by the Internet Archive in 2012 with funding from Brigham Young University
http://archive.org/details/progressivepiano66lsch
KG.HALE
PIANO SOLO
AUSTIN, ROBERT E.
25 Six Easy Piano Pieces (Grades I and tt) $ .75
Edited by W. S. B. Mathews.
BERTTNI, HENRI
Complete and Progressive Method for the Piano. Edited by H. Clough-Leighter.
36 Complete in one volume 2.00
37 Part I LOO
38 Part II , . . 1.00
39 Part III LOO
64 Scales and Arpeggios .60
Edited by H. Clough-Leighter. 89 Twenty-five Easy Studies without Octaves. Op. 100. .40 Edited by Thomas Tapper.
BEYER, FERDINAND
66 Preliminary School for the Piano (Vorschule im
Klavierspiel). Op. 101. Bound in Boards 1.25
Bound in Paper 76
Edited by H. Clough-Leighter.
CZERNY, CARL
47 Practical Method for Beginners on the Piano. Op. 699. . 60
Edited by R. de Roode.
48 One Hundred Progressive Studies without Octaves.
Op. 139 .60
Edited by Clemens Schultze, with Introduction
by Heinrich Kiehl. 63 Thirty' New Studies in Mechanism. Op. 849. .60
Introductory to " Studies in Velocity." Op. 299. Edited by H. Clough-Leighter.
ENGELMANN, H.
26 Six Easy Dances. Op. 552. (Grade II) .76
Edited by W. S. B. Mathews.
ESIPOFF, STEPAN
27 Six Pieces for the Piano. (Grade TT) .75
Edited by W. S. B. Mathews.
EVARTS, RALPH
28 Six Piano Pieces for Little Hands. (Grades II and
II-III) J6
Edited by W. S. B. Mathews.
FRADEL, CHARLES
67 Six Studies in Phrasing. Op. 509 LOO
Edited by Hans Lichter.
GURLITT, CORNELIUS
First Steps of the Young Pianist. Op. 82. One Hun- dred very easy Practice Pieces for Beginners. Edited by Thomas Tapper.
68 Book I. Sixty-three Practice Pieces .75
69 Book II. Thirty-seven Practice Pieces .76
KOHLER, LOUIS
76 Very First Studies. Op. 190 JSO
Edited by Hans Lichter.
LOESCHHORN, CARL ALBERT
Progressive Piano Studies for Beginners. Op. 65. Edited by Thomas Tapper.
5 Book I. Sixteen StudiPs 50
6 Book II. Sixteen Studies 50
7 Book III. Sixteen Studies .50
Order by number.
LOESCHHORN, CARL ALBERT— Continued.
Progressive Piano Studies for Medium Grades. Op. 66. Edited by Thomas Tapper.
30 Book I. Eleven Studies $.60
31 Book II. Eleven Studies 50
32 Book III. Eleven Studies 60
Progressive Piano Studies for Advanced Grades. Op. 67.
Edited by Thomas Tapper.
33 Book I. Six Studies 60
34 Book II. Six Studies .60
36 Book III. Six Studies .60
ORTH, L. E.
79 On the White Keys. Op. 18 LOO
An Introduction to the Piano.
REDTECKE, CARL
Studies in Expression (Vortragsstucke). Twenty Short Piano Pieces. Op. 268. Introduction by Thomas Tapper.
8 Book I. Eleven Piano Pieces (Grades II and II-
III) 1.00
9 Book II. Nine Piano Pieces (Grade III) LOO
SCHUMANN, ROBERT
(Album for the Young (Album f Or die Jugend) . Op. 68; and .60 Scenes of Childhood (Kinderscenen). Op. 15
Edited by Alfred Dorffel and Richard Schmidt. With the Composer's "Rules for Young Mu- sicians," and Preface by Henry W. Hart.
WAGNER, E. D.
First Piano Book. Op. 45. Edited by Thomas Tapper.
84 Book I LOO
85 BookH LOO
VIOLIN SOLO
DANCLA, CHARLES
61 Fifty Dailv Exercises for the Violin. Op. 74 JO
Edited by Benjamin Cutter.
62 Six Airs with Variations (Six Petits Airs Varies).
Op. 89 LOO
Edited bj Benjamin Cutter.
HERMANN, FRIEDRICH
Violin School. (Violin-Schule.)
65 Book I .76
66 Book II 75
Edited by Benjamin Cutter.
HOHM\NN, CHRISTIAN HEINRICH
Practical Violin School (Praktische Violin-Schule). Edited by Benjamin Cutter.
70 Complete 1.50
71 Book I. The Open Strings JO
72 Book II. Exercises in the Keys most Used JO
73 Book III. Advanced Exercises in Keys most Used.. .50
74 Book IV. On the Various Shifts or Positions #. .60
75 Book V. Advanced Exercises in the Higher Posi-
tions JO
E^YSER, HEINRICH ERNST
Thirty-six Elementary and Progressive Studies for the Violin. Op. 20. Edited by Benjamin Cutter. .
21 Complete in one volume 1.25
22 Book I. Twelve Stvidies 60
23 Book II. Twelve Studies 60
24 Book III. Twelve Studies JO
Copies sent for examination.
/r
Carl Albert Loeschhorn
PROGRESSIVE PIANO STUDIES
FOR MEDIUM GRADES Op. 66, Book I
EDITED BY
THOMAS TAPPER
BOSTON
OLIVER DITSON COMPANY
New York
Chicago
C. H. DITSON &• CO. LYON 6- HEALY
Philadelphia
J. E. DITSON £r CO.
COPYRIGHT, MCMV, BY OLIVER DITSON COMPANY
PROVO, UTAH
INTRODUCTION
In point of technique and interpretation the Etudes, Opus 66, by Carl Albert Loeschhorn, are considerably in ad- vance of the Etudes, Opus 65. They are invariably twice as long, and appeal, in general, to a more advanced musicianship. In them the composer evinces the same essentially true musical characteristics to which the editor of this volume called attention in the biographical and critical preface to the Etudes, Opus 65.
Assuming the teacher grades her work on the general plan of seven, these Etudes will be found to extend from the third into the fourth grade. Many new features are introduced beyond what occur in Opus 65, and many problems initiated in that work are further developed here, as the teacher-student will discover by comparing the analytical titles in the introduction to Opus 65 with the following,
The first table given below is a contents of Opus 66. The descriptive line following each study refers to its lead- ing characteristic. Other problems than the one stated arise and are more or less developed in many of these Etudes.
No. Metre General Characteristic
4-4 5 finger position.
4-4 5 finger position, with scales and chords.
3-4 5 finger position, with scales and chords.
4-4 Scales.
4-4 Scales.
4-4 Scales.
4-4 Scales.
4-4 L. H. Melody over a broken chord.
3-4 Triplet.
6-8 Melody, with broken chord accompaniment.
3-4 Progressive broken chords.
6-8 Short and progressive sequential figures for both hands.
4-4 Melody in octaves. Broken chord accompani- ment.
4-4 Repeated Note.
3-4 Short Arpeggio (triad groups).
16. 4-4 Sustained Tones and Accompaniment, thus:
1 2
3 4
5 6
7
8
9
10 n 12
13
14 15
17
4-4 6-8 2-4 3-4
4-4
4-4 4-4
3-4
6-8 Passages and Sequential Figures on the basis of
the scale in Thirds. 4-4 5 Finger Passages Developed and Freely Extended. Arpeggio. Broken Octaves. Broken Octaves.
Staccato Etude based chiefly on scale groups. 3-4 Short compact groups.
4-4 Scale Passages in Tenths and also with Chord Accompaniment. Chromatic Scale Etude. Trill (tremolo). Broken Chord and Arpeggio Passages divided
between the hands. Staccato Study for the Wrist. 6-8 Sequential Groups (in broken intervals third
to sixth). 3-4 Double Thirds and Sixths. 4-4 The Trill.
3-4 Octaves and Chords (both hands). 9-8 Forms of accompaniment in both right and left hand. The keys employed are as follows. The figure under each key letter is the number of Etudes in the key.
C F G D A a f E\> Db E b g ab 13 Keys j \ "J**
mln. min. min. min. ( 4 minor
9343221 3 1 112 1 = 33 Etudes
The following table groups the studies according to the leading characteristic given above : — ■ The 5 finger position and
short groups developed in Nos. i, 2, 3, 12, 17, 18, 23
sequence. Scale Passages in Various Forms. Nos. 4, 5, 6, 7, 24, 25
(chromatic scale)
18
19 20
21
22
23 24
25 26
28 29
3° 3i 32 33
Left Hand Melody Prevail- ing No. 8
The Triplet No. 9
Graces (Embellishments),
more or less prevailing Nos. 9, 10, 15, 31, 33 throughout
Accompanied Melody (R.
H.) Nos. 10, 13, 16, 33
Octaves Nos. 13, 32
Broken Chords, Octaves, Nos. n, 15, 19, 20, 21, 27, 29 and Arpeggios
Repeated Note No. 14
Staccato Nos. 22, 28
Trill Nos. 26, 31
Double Third and Sixth No. 30
Grouped by Keys the following are in major: —
C Nos. 1, 3, 5, n, 12, 14, 23, 26, 28.
|
F |
2, IO, 13. |
|
|
G |
4, 9, i7>3!- |
|
|
D |
6, 24, 25. |
|
|
A |
7, 29. |
|
|
Eb |
19, 27,32. |
|
|
Db |
20. |
|
|
E |
21. |
|
|
At> |
33- |
|
|
The fo |
llowing are in minor: — |
|
|
a |
Nos |
• 8,30. |
|
f |
M |
18. |
|
b |
u |
22. |
|
g |
u |
15, 16. |
The following brief biographical note from the editor's introduction to Opus 65 is added for ready reference: —
Carl Albert Loeschhorn was born in Berlin on the 27 th of June, 18 19. At the age of five he began his music studies with his father, and three years later he appeared for the first time in public as a pianist. From this time until he was eighteen years old his general education went hand in hand with his music training.
In 1837 Loeschhorn studied with Ludwig Berger, re- maining with him until the latter's death in 1839. He then entered the Royal Institute for Church Music in Ber- lin, studying harmony and composition with Eduard Grell and A. W. Bach, and piano playing with Rudolph Kil- litschgy, a talented pupil of his former master Berger. Killitschgy died in 1850, and in the following year Loesch- horn succeeded to his position in the Institute. In 1858 he became a full titled professor.
Teaching was by no means Loeschhorn 's only activity. In 1847, in conjunction with Adolph and Julius Stahl- knecht, he established in Berlin a series of trio concerts for piano, violin, and violoncello. Their success was great in this enterprise and equally so in a Russian tour under- taken in 1853. In 1862 Loeschhorn collaborated with J. Weiss in the publication of a Guide to Pianoforte Lit- erature. In 1885 a revised version was published by Loeschhorn alone, under the title Fiihrer durch die Klavierliteratur.
He has composed many works for the piano, most of which are pedagogical, and he has also written vocal pieces and a number of quartets for piano and strings. Loesch- horn was among the founders of the German Association of Organists and of the Association of Piano Teachers. In 1899 his eightieth birthday was celebrated, and he took an active part in the festivities. He died in Berlin, June 4, 1905.
March 14, 1905.
2
PROGRESSIVE PIANO STUDIES
'FOR MEDIUM GRADES]
Edited by THOMAS TAPPER
A. LOESCHHORN, Op. HH. BOOK
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VIOLIN SOLO — Continued
XELLEY, JOHN CRAIG
29 First Lesson* on the Violin $1.00
With Fourteen Illustrations.
KREUTZER, RODOLPHE
78 Forty-two Studies for the VioHn 60
Edited by Benjamin Cuttejr.
MAZAS, JACQUES FERREOL
20 Short Method for the Violin (Kurze Methode f (lr die
Violine) 75
Revised and augmented by Benjamin Cutter.
STTT, HANS
Studies for the Violin. Op. 32. Edited by Eugene Gruenberg.
10 Book I. Twenty Studies in the First Position 76
11 Book II. Twenty Studies in the Second, Fourth,
and Fifth Positions 76
12 Book III. Twenty Studies in Shifting 75
VENZL, JOSEF
Universal Studies for the Violin. Op. 88. Edited by Eugene Gruenberg. 19 Thirty-six Exercises in All Varieties of Stopping
and Bowing 1.00
WICHTL, GEORG
91 The Young Violinist. Op. 10. Books I and II 1,00
Edited by John Craig Kelley.
92 Book I. Fifty-two Exercises 76
93 Book II. Forty-eight Exercises. 75
WOHLFAHRT, FRANZ
Sixty Studies for the Violin. Op. 45. Edited by Eugene Gruenberg.
13 Book I. Thirty Studies in the First Position 76
14 Book II. Thirty Studies in the Third Position .76
Forty Elementary Exercises for the Violin. Op. 54. Edited by Eugene Gruenberg.
15 Book I. Twenty Exercises in the First Position. . .50
16 Book II. Twenty Exercises in the First Position. . . .60
WOHLFAHRT, FRANZ —Continued.
Fifty Easy Melodious Studies for the Violin. Op. 74.
Edited by Eugene Gruenberg. Book I. Twenty-five Studies in the First Position.$ Book II. Twentv-five Studies in the Third Position.
17 18 46
.75
.76
Easy Method for Beginners in Violin Playing. Op. 38. 1.00 Edited by Benjamin Cutter.
VIOLIN AND PIANO
GRADED PIECES FOR VIOLIN AND PIANO,
Edited by John Craig Kelley.
40 Book I. Fifty Easy Melodies in the First Position 1.00
41 Book II. Thirty Pieces in the First Position 1.00
42 Book III. Thirty Pieces in the First Three Posi-
tions 1.00
43 Book IV. Twenty Pieces in the First Five Positions. 1.00
TWO VIOLINS
PLEYEL, IGNATZ JOSEPH
1 Six Little Duets for Two Violins. Op. 8 .50
Edited by Benjamin Cutter.
3 Six Sonatinas for Two Violins. Op. 48 50
Edited by Benjamin Cutter.
TWO VIOLINS AND PIANO
PLEYEL, IGNATZ JOSEPH
2 Six Little Duets for Two Violins and Piano. Op. 8. .75
Edited by Benjamin Cutter.
4 Six Sonatinas for Two Violins and Piano. Op. 48.. .75
Edited by Benjamin Cutter.
SONGS
von FIELITZ, ALEXANDER
44 Eliland (Ein Sang vom Chiemsee). A cycle of Ten
Songs. English and German text. Edition for
High Voice. . . .75
Edited by Louis C. Elson.
45 The same for Medium Voice 75
Order by number.
Copies sent for examination.
V
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