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hello, ivan kudryavtsev is with you, we are opening the seventh page of the diaries of the forty- sixth moscow international film festival. our film journey through countries, styles, languages ​​and stories continues. on wednesday our road ran through turkey with a film between a dog and a wolf and iran, with the film breath of cold, as well as spain with a documentary film about kyrgyz shepherds living in constant confrontation with the world of spirits. there is knowledge in the world that is deeper than what science gives us. to prove it, spanish director alex gala. goes to kyrgyzstan to make a movie with actors from serbia. the documentary film territory, created at the intersection of three different cultures, becomes a real study of the origins of humanity. in fact, my intention was to show that

there are so many different cultures on our planet, but different cultures from each other, but at the same time, when we come to this wild nature, almost wild and primitive. culture, then all these differences seem to be erased, dissolved, in our film, which has documentary parts, there are a little artistic parts, these parts also seem to merge, dissolve, and in this way we tried to show this primitiveness and where we all come from. a popular actor travels through the steppes of central asia, he wants to find a snowy and... bris, as barsa is called in kyrgyzstan, according to local legends, the owner of these places. but the fame of actors in the harsh steppes turns out to be meaningless. the laws of the wild reign here, and human ones mean nothing. actually, like the person himself. he can

only observe the free elements that once gave birth to him. the film does not have the usual clever lines from the characters, they do not explain what is happening, only music. popular beliefs and meditative observations of the cold beauty of central asia. the director puts the viewer in the conditions in which nature itself places humans. to understand this world, it is not necessary. remove it with words, you need to hear and see him. another facet of spanish cinema at the miff is revealed by pilar ardanez’s film fragments, nine different characters, each of whom faces difficult life difficulties, including anorexia and domestic violence, as well as the pangs of creativity and separation. it seems as if the director is unfamiliar with the word fear, and he decides to collect in his film all the pressing social problems and without... they concern everyone in our lives, i simply penetrate into everyone’s problem, it’s as if

i’m actually touching on the problems that i go into this house and i'm looking at this problem with my own eyes, and i just imagine it all, as if i were pulling a thread, this is how the work turns out, but i don’t want to run away from what’s happening on the screen in an amazing way. manages to maintain a balance between pure social cinema and cinema as art. an attentive viewer will notice the tenth character in the film, without whom the other nine are lost in the dark. light becomes such a hero. deciding to try to light a light not only in the souls of the characters, but in the hearts of the audience, is truly a brave thing. but also talk about problems of society now can only be dealt with boldly. a turkish drama between a dog and a wolf was shown in an international competition. this is not the first time its director murat düzgünaglu turns to russian culture. in his work, why i can’t

be tarkovsky, he referred to the recognized classic of soviet cinema, reflecting on the influence of great art on a person. in the new picture , torkovsky is less common, but dostoevsky is clearly visible. between a dog and a wolf is a unique version of the crime of punishment, in which the hero lives for a long time with grave sin. at heart and does not dare to admit it, in my understanding, a real cinematographer, he is more like a poet, rather, in this i see some similarities, in fact, with the help of cinema i am trying to show the world, including the internal external one, through the eyes of a cinematographer, and through the eyes of an artist, and tell... about my emotional experiences, about some personal experiences,

a breath of cold, a story about a father and son, between whom an endless abyss has forever formed, came to the festival straight from iran. debutant kanahit azizi sedik created a deep philosophical picture in which winter mountain landscapes became a metaphor for alienation, and long pauses with a symbol of words that will never be spoken, a breath of cold clearly shows how... the world would become if there were no women, cruel, soulless, full of despair and hatred. we tried to shoot the film in an area where there is a lot of snow, in russia you always have a lot of snow and you are ready for anything. we have very little rainfall, maybe two or three times a year, and it was really difficult to find such an area, so we went to the mountains, and completely different unforeseen circumstances happened, so i was constantly worried that everything would be fine with the film crew. russia was represented in the main competition by ivan sosnin's film the alien. indie science fiction about the hearing-impaired

eccentric lyokha, who lives in a homemade house made of garbage and draws strange crop circles. this is a movie in which reality is intertwined with fantasy, and fantasy with biblical motifs. these interweavings reveal not only the story of otherness, which an ordinary person is frightened no less than thoughts about alien creatures, but also thoughts about family, ecology and even about... based on the novel of the same name by alexander yuk, which has become a real bestseller among young people. this is a poignant story about graduates of an elite mathematical school who experience moments of first love. fate is preparing serious trials for teenagers; they will have to face not only the misunderstanding of adults, but also fatal tragic accidents. well, it's not really about the script, it's about the team that gathered that people got together and decided to make

a movie about themselves, who knows, maybe someday, when i’m like this, i ’ll also want to write a script about myself and make a movie about my life. 4/4 is a picture about the first, sometimes the strongest feelings that every person experiences one day, about the small moments of life that can change. her once and for all, as well as about the complex relationships between children and adults and the sacrifices that people have to make in order to understand each other. guest of our studio in the capital october has become a cinema center.

and he comes at his own peril and risk, and fear and risk be healthy there, these people are taking very serious risks, and i thought a lot about what exactly they were risking, why exactly they were risking, i realized two things: you won’t sell anything if we are unhappy with you, and you won’t be called the best, or the second best, or the third, nothing, you, you won’t be named, if we...

seriously try to change something, then in principle i think that we need to just globally shovel in general interests, in fact, for the sake of this the eurasian academy and eurasian prize. at the highest level, this conversation is taking place with china, with india, with us, and so on. by and large , only film experts or people like you who love, know cinema, know iranian cinema, know chinese cinema, know latin american cinema, everything else was, so to speak, simply shut up and there was

hollywood, which raised a certain viewer. america doesn't watch movies dubbed, america doesn't watch movies with subtitles, only specialists, if you want your movie to be seen in the world, you should film it in english, and i recently said, opening the festival, that we are opening one of the most independent and non-colonial festivals, because from...

the european oscar, relatively speaking, the competition will include those films that defend the interests of your country, which the picture represents, and universal human interests, when it has a certain opportunity, through your

picture, to help other people love your country or your people, your people.

search for meanings, they have always been in russian literature and they have always been in russian cinema. on thursday, the penultimate day of the moscow international film festival, viewers will be shown miguel salgado's film shame, filmed in mexico. the plot pits two friends in a fierce confrontation. and the russian-indian film by roman mikhailov, we need to make films about love, about the only feeling that holds together a world that is crumbling every minute. the final film of the russian premieres competition will be a new film by the author fairy tales for old people on vacation in october, we’ll go with you to macau of scientist and philosopher roman mikhailov.

his job is to make films about love, cinema, about cinema. a film crew of young filmmakers, led by a director, comes to varanasi, india, to film arthaus. the whole team is looking forward to the exciting filming process and admiration for india, its people, culture and narrow atmosphere. busy streets, everyone is on the same wavelength, but at some point india quietly pushes everyone to make some changes, some are planning to give up everything and become a scar, some are in in an altered state after meditation, someone plunges headlong into an accidental love, it would seem that the filming of a film, which had been preparing for 2 years, collapses before our eyes, but in the end a new film is born, as a reflection of life itself, i have long dreamed of making a film that looked somehow...

with the building, as if they were on the set itself or scrolling through the stories of their favorite actors and director. as if in a documentary, the camera follows the characters everywhere, but they do not play, they live life without beauty, showing their vulnerable sides. i don't know either one more russian author, around whom everything is imbued with such creative energy, all his films are absolutely.

who loudly declared himself 2 years ago and created six feature films during this period, again appears as a master of phantasmogorical independent cinema, shooting outside the established cinematic canons. for those who value reality and uncompromisingness. in the main competition on thursday is mexican miguel salgada's crime thriller shame. this is a dark and intense movie, in which violence, crime and corruption are shown through the prism of a single family. two teenage friends.

playing by these twisted rules makes survival unimportant because, as in the case of the film's hero, it only brings desperate shame and guilt. the program includes short films

by film travelers. the miff will also be an unforgettable experience. the competition includes paintings from colombia, brazil, argentina, china, germany, the republic of korea and other parts of the planet. the short film competition program on thursday will feature 13 films, including eena from argentina, o friendship between an alien and an earthling girl. there is no place for him in the feed from china. against the backdrop of the story of a boy losing his home, environmental problems arise, namely coastal ones. paraguayan short film nostalgia for a lake, about dreams, which become a means of traveling between worlds, the program also includes two russian films, this is her, geek graduate zhenya kazankina, and a girl who came to an unfamiliar apartment to look after a dog, and 30 seconds by ivan sosnin , the story of a sick child told by volunteer clowns. on the jury short film competition, director and producer from the usa max weisberg. in addition to participation.

of the panel of judges, weisberg brought his own work to the miff. his crime drama karaganda will be shown in the out-of-competition program russian trace. the plot centers on the life of emigrant vladimir, who went through the hell of a criminal life in prison before moving to america. there he tries to start over with a clean slate, but his past won’t let him go. the film grew out of a short film of the same name that weisberg directed back in 2013. i i just want to feel a little bit. we will turn the eighth page of our diaries of the forty-sixth moscow international film festival tomorrow on

the air of the tv channel: russia 24. see you at the cinema.

i understood correctly, the future, yes, yeah, 24, 2124, that’s the situation. and now i can jump a century into the future and back, i see everything, space pirates are hunting us, well , they were already there when i came here, we need to find moms, what a meeting, maybe we can put the children to bed and now is the time, as it were, that’s it fix it, and it's time to act somehow, questions, suggestions, objections, right?

what do you want? 100 years ahead! one of the main tasks is to increase the production of russian goods made on our equipment and using our technologies, vladimir putin spoke about this at the congress of the russian union of industrialists and entrepreneurs. the topic

will continue. despite the unprecedented challenges facing...